The necropolis, which forms a vast archaeological park, is made up of a series of small chamber tombs, aligned along the burial “roads.” The arrangement of the tombs, which follows a definite “town” plan, provides precious elements for the study of the layout of the ancient city. Built from blocks of tuff, the entrance lintels of the tombs are inscribed with the name of the deceased. The earliest excavations in the 19th century yielded important artifacts, now unfortunately dispersed among various foreign museums. Other significant burial objects found during more recent excavations are on display at the Faina Museum in Orvieto.
The necropolis took its name from the 16th-century crucifix sculptured in the tuff and kept in a little chapel underlying the San Giovenale area.
The necropolis took its name from the 16th-century crucifix sculptured in the tuff and kept in a little chapel underlying the San Giovenale area.
The outstanding feature of the necropolis is its layout, with a regular location plan and roads laid out at right angles. The planners divided the area into lots, probably following either an already existing or a planned main road.
The entrance was closed by a large slab of tuff rock inside, and by a lining of tuff blocks aligned with the external wall; the space between the slab and the wall was filled with earth. The slab usually rested on the third step descending toward the entrance and closed against the third interior lintel. Given the narrowness of the roads, the placing of two entrances directly across from each other was avoided, so as to prevent mutual obstruction if two facing tombs were to be opened at the same time.
Benches, usually two, were built inside for placing the deceased, one being set against the back wall and one against one of the side walls; the deceased were either interred directly or cremated.
In the necropolis there are typically a large number of inscriptions giving the first names and family names of the ancient inhabitants of Orvieto. These are perhaps the most consistent epigraphic testimony of the Archaic age, referring to a single town community.
Funerary inscriptions are incised into the entrance lintels, giving the name of the owner of the tomb; they are often written in a possessive style, by which it is the tomb that speaks: I belong to…
The first reports of finds in the area date back to the end of the 18th century, but more consistent information was found during the years 1830-1831, during the construction of the New Cassian Way. Intense research was conducted, however, in the last thirty years of the 19th century, when a part of the necropolis was expropriated by the State and opened to the public. Research began once more in the 1960s.
For more taphophilia please visit Julie's Taphophile Tragics.
8 comments:
Another great entry - love the travelogue.
Another very different place .. you are the best at taking us to exotic places ... it must be fun to dig through your archives to find them.
All things Etruscan intrigue me! I had no idea about this necropolis detail! I have now read your post several times to absorb it all! (Had to check where Orvieto was on a map of Italy!) I wonder if the volcanic nature of the area ever unsettled these tombs or were those disturbances long gone even in Etruscan times.
What an interesting wording... 'I belong to' instead of 'here lies'.
Etruscan graves area quite amazing! Especially the ones with the frescoes.
Your photos really show the meaning of "necropolis" - literally a "city for the dead".
I knew northern Italy was Etruscan related but had no idea about this necropolis. Thanks for the education.
these were really built to stand the test of time...it looks like a terraced garden..I also like the "I belong to" that makes it very personal.
I have visited Orvieto, but totally missed these, for which I kick myself.
I suspect this would be a wonderful sight from the air.
The wonderful thing about this style of necropolis is its low profile, a sort of ashes to ashes, if you will. Obviously taking quite a long time ...
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